{"id":14356,"date":"2014-03-17T12:48:44","date_gmt":"2014-03-17T11:48:44","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=14356"},"modified":"2014-05-03T11:59:10","modified_gmt":"2014-05-03T10:59:10","slug":"p-floyd-hissade-flaggan-i-topp-recension","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=14356","title":{"rendered":"P-Floyd hissade flaggan i topp (recension)"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215584873\/in\/photolist-m8NDwV-m8PmS8-m8Qi3U-m8PniZ-m8Qj9m-m8Qmuy-m8Qhx5-m8QhrU-m8PjXB-m8PoEX-m8QjJQ-m8QmJ1-m8QkFj-m8QkZW-m8QgMY-m8Qjq3\/player\/\" height=\"375\" width=\"500\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p><i>Diamantens \u00f6gonblick. N\u00e4r det stora \u00f6gat slocknar f\u00f6r en kort sekund.<br \/>\n<\/i><\/p>\n<p>&nbsp;<\/p>\n<h1><b><span style=\"color: #ff0000;\">Rent, vitt ljus pumpar ut \u00f6ver publiken<\/span> <\/b><\/h1>\n<p>&nbsp;<\/p>\n<p><b>\u201dVad tyckte du?\u201d, fr\u00e5gade en bekant omedelbart efter konserten. <\/b>Det var 7:e g\u00e5ngen han s\u00e5g P-Floyd, och Pink Floyd hade han sett 2 g\u00e5nger. F\u00f6r mig var det f\u00f6rsta g\u00e5ngen. \u201dJag vet inte. En del var bra\u201d, svarade jag. \u201dDet \u00e4r inget band f\u00f6r nyb\u00f6rjare.\u201d, sa han. \u201dDe spelar inte de k\u00e4nda Pink Floyd-l\u00e5tarna.\u201d Jag vet inte det. Kanske. Det var inte det som var problemet. Jag k\u00e4nde igen alla l\u00e5tarna. Vad tyckte jag egentligen? Jag \u00e4r ju en erk\u00e4nd gn\u00e4llspik och skeptiker.<\/p>\n<p>Och hur kul \u00e4r det med coverband? Nej, f\u00f6rl\u00e5t! P-Floyd \u00e4r ett tributeband. Och att de har lyckats h\u00e5lla p\u00e5 i 20 \u00e5r och fyller konserthus och Dalhalla om vartannat samt s\u00e4ljer egna videor, cd-skiva, t-shirts och affischer g\u00f6r dem lite speciella. Och den ber\u00f6mda ljusshowen icke att f\u00f6rgl\u00f6mma. I backdropen h\u00e4nger en rund filmduk med massor med st\u00e4llbara lampor, och ett konstant dis ligger \u00f6ver scenen. N\u00e5ja, de har \u00e5tminstone ingen uppbl\u00e5sbar gris&#8230; l\u00e4ngre.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215778154\/player\/30411298a5\" height=\"400\" width=\"310\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<em> Fr\u00e5n m\u00e5nens m\u00f6rka sida.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b>Det b\u00f6rjar lovande med s\u00e5ngaren\/gitarristen Hans Lundin ensam p\u00e5 scenen med en fiol.<\/b> Det h\u00e4r signalerar: vi \u00e4r inget coverband; vi spelar Pink Floyd p\u00e5 v\u00e5rt eget respektl\u00f6sa och v\u00e5ghalsiga s\u00e4tt. Intrycket h\u00e5ller i sig ungef\u00e4r en minut. Fiolen var ett intro till <i>In The Flesh<\/i>, \u00f6ppningsl\u00e5ten p\u00e5 <i>The Wall<\/i>, och f\u00f6rsvinner snabbt. D\u00e4refter avverkas tv\u00e5 l\u00e5tar till fr\u00e5n samma skiva. Det l\u00e5ter&#8230; j\u00e4ttebra. Allts\u00e5 som p\u00e5 originalskivan. N\u00e4stan.<\/p>\n<p>\u201dVi k\u00e4nner oss v\u00e5ghalsiga idag\u201d, utbrister Lundin d\u00e4refter. Nu blir det sp\u00e4nnande, t\u00e4nker jag. Men det var mest en ordvits, och de river av <i>Fearless<\/i> fr\u00e5n skivan <i>Meddle<\/i>. OK, lite v\u00e5ghalsigt \u00e4r det. Den kom ju redan 1971 \u2013 innan Pink Floyds stora genombrott. Och nog har v\u00e4l alla i publiken (det \u00e4r fullsatt) lyssnat lika mycket p\u00e5 <i>The Wall<\/i> som jag, s\u00e5 att det \u00e4r n\u00e4stan om\u00f6jligt att spela den igen? Inte? (Det ska visa sig att varken bandet eller publiken h\u00e5ller med.) Men det h\u00e4r k\u00e4nns inte lika s\u00f6nderspelat.<\/p>\n<p>V\u00e5ghalsigheterna forts\u00e4tter med <i>The Gunner&#8217;s Dream<\/i> fr\u00e5n Pink Floyds sista platta med komplett s\u00e4ttning. (Det \u00e4r inte riktigt sant, eftersom organisten Richard Wright hade f\u00e5tt sparken redan under arbetet med <i>The Wall<\/i>, men det dr\u00f6jde det flera \u00e5r innan de ber\u00e4ttade.) Nu l\u00e4mnar Thomas Alm rytminstrumenten och fyller ut l\u00e5ten med en alldeles utm\u00e4rkt sax.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215779244\/player\/0396b08192\" height=\"330\" width=\"400\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<em> Mursten.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b>Sen blir P-Floyd alldeles skogstokiga och spelar <i>Matilda Moder<\/i> fr\u00e5n moderbandets debutplatta fr\u00e5n 1967.<\/b> Det g\u00e5r de inte riktigt i land med. \u00c5 andra sidan kr\u00e4vs det n\u00e4stan Syd Barret, Pink Floyds f\u00f6rsta s\u00e5ngare och f\u00f6rgrundsgestalt, f\u00f6r att g\u00e5 i land med det. Och han blev ju, som bekant, skogstokig efter f\u00f6rsta skivan. Stilpo\u00e4ng f\u00f6r mod.<\/p>\n<p>Sen st\u00e5r det och stampar i marchtakt (eller disco, om man s\u00e5 vill) ett bra tag med <i>Another Brick In The Wall<\/i> (en kombination av del 1 och 2), och trots att det var den st\u00f6rsta hiten nappar inte publiken riktigt p\u00e5 inbjudan till alls\u00e5ng. Troget originalet anv\u00e4nder man vocoder (en ljudprocessor, h\u00e4r f\u00f6r r\u00f6sten), men jag h\u00f6r inte vad man sjunger den h\u00e4r g\u00e5ngen heller. \u00c4nnu segare blir det p\u00e5 <i>Take It Back<\/i>, men den \u00e4r ju fr\u00e5n en platta 10 \u00e5r efter att Roger Waters hade hoppat av. Och d\u00e5 hade jag slutat lyssna. Urs\u00e4kta.<\/p>\n<p><b>Sen funkar man till det med tv\u00e5 sammanh\u00e4ngande l\u00e5tar fr\u00e5n <i>The Dark Side Of The Moon<\/i>, och nu sv\u00e4nger det bannemig.<\/b> Delvis kanske det beror p\u00e5 att basisten Peter Holmstedt har bytt fr\u00e5n 6-str\u00e4ngad till 4-str\u00e4ngad bas. Sj\u00e4lv verkar han trivas med bytet och har b\u00f6rjat dansa p\u00e5 scen. Det rycker lite i min h\u00f6gra fot med, och det betyder att det \u00e4r riktigt bra.<\/p>\n<p>Och som sista l\u00e5t innan paus f\u00f6ljer en som Roger Waters skrev till Live Aid, s\u00e4gs det. Fast riktigt s\u00e5 \u00e4r det inte. Han blev nobbad av Bob Geldof att vara med, men galan blev en inspiration till l\u00e5ten. Den positiva st\u00e4mningen gjorde att den som avslutning b\u00e5de p\u00e5 en av pessimisten Waters soloskivor och han uppf\u00f6rande av <i>The Wall<\/i> i Berlin \u00f6des\u00e5ret 1990. Klokt t\u00e4nkt, men det l\u00e5ter lite pomp\u00f6st.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215592783\/player\/f2fb1c5675\" height=\"400\" width=\"350\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<em>\u00c4ntligen kom k\u00f6rtjejerna fram p\u00e5 scenkanten.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b>Fullt \u00f6s med <i>Sheep<\/i> chock\u00f6ppnar efter paus.<\/b> Hur har de f\u00e5tt fram s\u00e5 perfekta ljudeffekter med f\u00e5r och s\u00e5ngl\u00e4rka? H\u00e4r kommer vocodern fram igen. Det har jag aldrig uppt\u00e4ckt p\u00e5 originalet, Men P-Floyd \u00e4r mer p\u00e5l\u00e4sta \u00e4n jag. Sen en l\u00e5\u00e5ng version av superhiten <i>Money<\/i> med snyggt break och handklapp, ordl\u00f6s s\u00e5ngduell med de tv\u00e5 k\u00f6rtjejerna som kliver fram p\u00e5 scenen och ett ekvilibristiskt 6-str\u00e4ngat bassolo. Gitarristen Jan Stumsner f\u00e5r ocks\u00e5 ett l\u00e5ngt solo. Han \u00e4r b\u00e4ttre nu i andra halvan, \u00e4ven om han varit bra hela tiden. Dock har han inte samma bluesk\u00e4nsla som David Gilmour utan spelar lite rakare. Men man ska inte kr\u00e4va det om\u00f6jliga. Det h\u00e4r \u00e4r b\u00e5de troget originalet och nyskapande p\u00e5 en g\u00e5ng.<\/p>\n<p><i>Welcome to The Machine <\/i>l\u00e5ter som den heter, och de dubbla syntarna dominerar. S\u00e5ngerskorna Marica Lind\u00e9 och Eleonor \u00c5geryd har klivit fram till scenkanten och alternerar med s\u00e5ngen. Och det l\u00e5ter fruktansv\u00e4rt bra. Kan det l\u00e5ta f\u00f6r bra? Jag sitter och funderar p\u00e5 att l\u00e5ten \u00e4r skriven av en kommunist (Waters) i protest mot skivindustrin.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215769334\/player\/ee25b03503\" height=\"330\" width=\"400\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<em> Shine on You Crazy Diamond.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>Not Now John<\/i><\/b><b> leder till&#8230; Hoppsan! Ett fragment av en Beatlesl\u00e5t som f\u00f6r oss \u00f6ver till <i>Shine on You Crazy Diamond<\/i> (part VII \u2013 VIII).<\/b> Det \u00e4r ju f\u00f6rst\u00e5s en favorit b\u00e5de f\u00f6r band och publik (och best\u00e5r av 9 delar), s\u00e5 den \u00e5terkommer tv\u00e5 g\u00e5nger till under kv\u00e4llen (en sista, givetvis, med alls\u00e5ng). Den mest \u00f6verraskande \u00e4r en jazzversion komplett med trumvispar, st\u00e5bas och piano. Tyv\u00e4rr tycker jag den traditionella \u00e4r b\u00e4st. Tv\u00e5 l\u00e5tar till fr\u00e5n <i>The Wall<\/i> f\u00f6ljer, men nu har de skojat till det med st\u00e5bas, dragspel, akustisk gitarr och fiol. Och i <i>Southampton Dock<\/i> f\u00e5r vi \u00e4ven mandolin och altsax.<\/p>\n<p>De f\u00f6rs\u00f6ker f\u00e5 publiken att sjunga med i en l\u00e5t, men skivan \u00e4r s\u00e5 ny (1987), och hur sjunger man \u00e5\u00e5\u00e5\u00e5 p\u00e5 ett \u00f6vertygande s\u00e4tt? Dock bevisar Klas Anderhell att han inte \u00e4r en trummaskin och f\u00e5r ett trumsolo bakom sitt plexiglas, innan han \u00e5terg\u00e5r till sitt minimalistiska rytmh\u00e5llande. Tr\u00e5kigt, men effektivt och inte allt f\u00f6r olikt Nick Masons.<\/p>\n<p>Som en m\u00e4ktig avslutning med k\u00f6rs\u00e5ngerskor och akustisk gitarr l\u00e5ngt fram i ljudbilden avslutas konserten med <i>Comfortably Numb<\/i>. Scendekoren visar nu upp sig som det \u00f6ga det \u00e4r. Vi stirrar. Det stirrar tillbaka.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/13215783484\/player\/d8d28b911b\" height=\"330\" width=\"400\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/>\n<em> Ovationer i fullsatta Flygeln.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b>P\u00e5 f\u00f6rsta extranumret skiner den som en diamant (ja, det \u00e4r tredje g\u00e5ngen) och rent, vitt ljus pumpar ut \u00f6ver publiken.<\/b> Annars har lamporna skiftat f\u00e4rg och riktning som ett kalejdoskop under de olika l\u00e5tarna. Det var tur jag k\u00f6pte f\u00e4rgfilm till kameran, t\u00e4nker jag s\u00e5n\u00e4r, fast i 1970-talet som vi \u00e4r.<\/p>\n<p>S\u00e5 blir det (surprise!) 2 l\u00e5tar till fr\u00e5n <i>The Wall<\/i>. F\u00f6rst <i>Run Like Hell<\/i> i en trogen version. Ja, om vi inte r\u00e4knar det atonala synt\/pianosolot, som var&#8230; intressant? Sedan skivans sista l\u00e5t som g\u00f6rs akustiskt fr\u00e5n scenkanten av alla 9 musikerna. St\u00e4mningsfullt och r\u00e4tt.<\/p>\n<p>D\u00e4r tror vi det \u00e4r slut och b\u00f6rjar utrymma Flygeln, men det dr\u00f6jer sig kvar lite ljud&#8230; Det \u00e4r musikerna som forts\u00e4tter sjunga medan de g\u00e5r l\u00e4ngs g\u00e5ngen till entr\u00e9hallen. V\u00e4l d\u00e4r ute forts\u00e4tter de fem minuter stillsamt nynnande och jammande. J\u00e4ttefint!<\/p>\n<p><b>Ja, vad tyckte jag? Det b\u00f6rjade segt, men slutade med flaggan i topp.<\/b> Man ska v\u00e4l inte klaga \u00f6ver l\u00e5nga konserter (3 timmar exkl paus), men andra halvan var den som var h\u00f6rv\u00e4rd. Jag tyckte det var&#8230; bra.<\/p>\n<p>Framf\u00f6r allt blir man sugen p\u00e5 att lyssna p\u00e5 originalet igen. Nu kanske jag \u00e4ntligen kan ta mig an min 18-CD-bootleg.<\/p>\n<p>Jag tror jag har b\u00f6rjat lyssna p\u00e5 Pink Floyd igen.<\/p>\n<p><i>Text och foto: Michael Strandhed<\/i><\/p>\n<blockquote>\n<h3><em>FLYGELN Norrk\u00f6ping<\/em><\/h3>\n<p>15 mars 2014<em><br \/>\n<b>P-Floyd<br \/>\n<\/b>Jan Stumsner\u00a0 Gitarr-Kapellm\u00e4stare\u2028<\/em><br \/>\n<em> Hans Lundin\u00a0\u00a0 S\u00e5ng-Gitarr<\/em><br \/>\n<em> Mats Nilsson\u00a0 S\u00e5ng-Keyboard<\/em><br \/>\n<em> H\u00e5kan Norlin\u00a0 Keyboard<\/em><br \/>\n<em> Klas Anderhell Trummor<\/em><br \/>\n<em> Peter Holmstedt Bas\u2028<\/em><br \/>\n<em> Thomas Alm\u00a0\u00a0 Sax<\/em><br \/>\n<em> Marica Linde \u00a0 K\u00f6rs\u00e5ng\u2028<\/em><br \/>\n<em> Eleonor \u00c5geryd K\u00f6rs\u00e5ng<br \/>\nMagnus Eriksson Ljuddesigner\u2028<\/em><br \/>\n<em> Mattias Hedberg Ljusdesigner<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>L\u00c5TLISTA<br \/>\nIn the Flesh\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nHey You \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nMother \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nFearless \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Meddle)<br \/>\nThe Gunner&#8217;s Dream \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Final Cut)<br \/>\nMatilda Mother \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Piper At The Gates Of Dawn)<br \/>\nAnother Brick in the Wall 1+2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nTake it Back \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Division Bell)<br \/>\nAny Colour You Like \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Dark Side Of The Moon)<br \/>\nBrain Damage \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Dark Side Of The Moon)<br \/>\nThe Tide is Turning \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Radio K.A.O.S)<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PAUS<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Sheep \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Animals)<br \/>\nMoney \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Dark Side Of The Moon)<br \/>\nWelcome To The Machine \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Wish You Were Here)<br \/>\nNot Now John \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Final Cut)<br \/>\nShe&#8217;s so Heavy \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Abbey Road)<br \/>\nShine on You Crazy Diamond (part VII \u2013 VIII)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Wish You Were Here)<br \/>\nGoodbye Blue Sky \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nVera\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nSouthampton Dock \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Final Cut)<br \/>\nShine On You Crazy Diamond, jazzversion \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Wish You Were Here)<br \/>\nYoung Lust \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nOne Slip \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (A Momenary Lapse Of Reason)<br \/>\nWish You Were Here\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Wish You Were Here)<br \/>\nComfortably Numb \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\n<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EXTRA<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>\u00a0Shine On You Crazy Diamond\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Wish You Were Here)<br \/>\nRun Like Hell \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<br \/>\nOutside The Wall \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (The Wall)<\/em><\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nP-Floyd <a title=\"P-Floyd\" href=\"http:\/\/wood5.se\" target=\"_blank\">hemsida<\/a> <a title=\"Facebook\" href=\"https:\/\/www.facebook.com\/pages\/P-Floyd\/12548825766?fref=ts\" target=\"_blank\">Facebook<\/a> <a title=\"Fansite\" href=\"http:\/\/www.pinkfloydsweden.com\/P-Floyd\/p-floyd.htm\" target=\"_blank\">fansite<\/a><br \/>\nPink Floyd <a title=\"Pink Floyd\" href=\"http:\/\/www.pinkfloyd.com\/index.php\" target=\"_blank\">hemsida<\/a> <a title=\"Fansite\" href=\"http:\/\/www.pinkfloydsweden.com\" target=\"_blank\">fansite<\/a><\/p>\n<p>L\u00c4SNING<br \/>\n<em>Pink Floyd; Musiken, M\u00e4nniskorna, Myterna<\/em> av Bengt Liljegren, Historiska Media 2010<\/p>\n<p>FLER BILDER FR\u00c5N KONSERTEN \u2013 KLICKA<\/p>\n<p>[flickr-gallery mode=&#8221;photoset&#8221; photoset=&#8221;72157642479667365&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NORRK\u00d6PING Tributeband. Ett konstant dis l\u00e5g \u00f6ver scenen under P-Floyds tre timmar l\u00e5nga konsert i Flygeln. Efter en seg start spelade bandet upp sig och slutade med flaggan i topp. Andra halvan var mest h\u00f6rv\u00e4rd och ljusshowen spektakul\u00e4r. <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=14356\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[13],"class_list":["post-14356","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-musik"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/14356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14356"}],"version-history":[{"count":0,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/14356\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}