{"id":18430,"date":"2015-01-06T17:45:29","date_gmt":"2015-01-06T16:45:29","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=18430"},"modified":"2015-01-06T17:45:29","modified_gmt":"2015-01-06T16:45:29","slug":"lacker-laderlapp-med-liine-i-topp-recension","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=18430","title":{"rendered":"L\u00e4cker L\u00e4derlapp med Liine i topp (recension)"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18431\" src=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238-567x378.jpg\" alt=\"Liine Carlsson\" width=\"567\" height=\"378\" srcset=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238-567x378.jpg 567w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238-1024x682.jpg 1024w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238-500x333.jpg 500w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238-150x100.jpg 150w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2015\/01\/IMG_1238.jpg 1280w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a><\/strong><br \/>\n<em>Seger. Inhopparen Liine Carlsson gjorde en str\u00e5lande insats som Rosalinda i den halvt gestaltade konsertanta L\u00e4derlappen som gavs p\u00e5 Trettondagsafton.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #ff0000;\">En enda l\u00e5ng l\u00e4ttsam champagnegalopp<\/span><\/h1>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Johann Strauss <em>L\u00e4derlappen<\/em> (<em>Die Fledermaus<\/em>) har h\u00e4rlig valsmusik och fin s\u00e5ng men ganska hoppl\u00f6s handling, s\u00e5 det passar bra att den ges konsertant och inte sceniskt i en fullsatt De Geerhall.<\/strong> Champagne fick man som f\u00f6rdrink (jag missade den f\u00f6rst\u00e5s) s\u00e5 man f\u00e5r det hela i sitt sammanhang \u2013 hela &#8221;operetternas drottning&#8221; \u00e4r en enda l\u00e5ng l\u00e4ttsam champagnegalopp, som speciellt h\u00f6rs i de sprudlande orkesterstyckena i andra akten.<\/p>\n<p>Ouvertyren \u00e4r ocks\u00e5 en av de allra b\u00e4sta valserna i den l\u00e4ttare repertoaren, som symfoniorkestern h\u00e4r spelar med fin k\u00e4nsla under den drivne Joakim Unander.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/16215140285\/in\/set-72157650159999235\/player\/\" width=\"400\" height=\"280\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em> F\u00f6rsupen. Torbj\u00f6rn Lillieqvist intog f\u00e5ngvaktaren Froschs gestalt och tog sig \u00f6msom en kl\u00e4mtare, \u00f6msom f\u00f6ste handlingen fram\u00e5t. H\u00e4r \u00f6vervakad av dirigenten Joakim Unander.<br \/>\n<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>L\u00e4ttsamt och fint l\u00e5ter det ocks\u00e5 om s\u00e5ngarna, som genomg\u00e5ende h\u00f6ll h\u00f6g niv\u00e5 och spelade ut.<\/strong> Speciellt utm\u00e4rkte sig sopranen Liine Carlsson, med fin teknik och h\u00f6jdtoner och snygg, st\u00e4ndigt skiftande apparition. Hon kom med pr\u00e4ktiga arior i b\u00e5de f\u00f6rsta och andra akten, och att hon fick hoppa in med kort varsel f\u00f6r Kristina Hansson gjorde det knappast s\u00e4mre.<\/p>\n<p>F\u00e5ngvaktaren Frosch \u2013 Torbj\u00f6rn Lillieqvist var en rolig och bisarr reson\u00f6r (konferencier) och sj\u00f6ng effektivt med sin karakt\u00e4rstenor. Med peruk och brillor blev han advokaten Blind.<\/p>\n<p><strong>Tyv\u00e4rr var diktionen genomg\u00e5ende d\u00e5lig fr\u00e5n de flesta.<\/strong> De Geerhallen \u00e4r inte optimal f\u00f6r vokalmusik med sin l\u00e5nga efterklang \u2013 det var s\u00e4llan man h\u00f6rde texten, \u00e4ven om man sj\u00f6ng p\u00e5 svenska och inte p\u00e5 tyska. Varf\u00f6r inte sjunga p\u00e5 originalspr\u00e5k n\u00e4r man \u00e4nd\u00e5 har en konferencier som ber\u00e4ttar hela handlingen?<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.flickr.com\/photos\/kultursidan\/16214340042\/in\/set-72157650159999235\/player\/\" width=\"400\" height=\"280\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em> Sv\u00e4ngom. Carl Ackerfeldts lurige Falke f\u00e5r med Eisenstein p\u00e5 fest i st\u00e4llet f\u00f6r inst\u00e4llelse i finkan.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Handlingen \u00e4r en l\u00e5ng serie f\u00f6rvecklingar, den \u00e4r mest \u00e4r &#8221;galge&#8221; som man ska h\u00e4nga \u00f6rh\u00e4ngena p\u00e5.<\/strong> Den bygger i stort sett p\u00e5 att &#8221;finare folk&#8221; tappar ansiktet och g\u00f6r bort sig, och att de lurar varandra att g\u00f6ra pinsamma saker.<\/p>\n<p>Men det hela var en konsertversion och som s\u00e5dan fungerade det bra, det var en komiskt och vacker kv\u00e4ll, \u00e4ven om jag g\u00e4rna hade sett n\u00e5gra extranummer.<\/p>\n<p><em>Text: Lars Henriksson<br \/>\nFoto: Ann-Charlotte Sandelin<\/em><\/p>\n<p>BILDSPEL (FLASH) \u2013 KLICKA P\u00c5 BILDEN <em>ALT\/MOBIL: SE BILDSPELET <a title=\"Bildspel\" href=\"https:\/\/www.flickr.com\/photos\/kultursidan\/sets\/72157650159999235\/show\/\" target=\"_blank\">H\u00c4R<\/a><\/em><br \/>\n<object width=\"400\" height=\"300\"><param name=\"flashvars\" value=\"offsite=true&amp;lang=en-us&amp;page_show_url=%2Fphotos%2Fkultursidan%2Fsets%2F72157650159999235%2Fshow%2F&amp;page_show_back_url=%2Fphotos%2Fkultursidan%2Fsets%2F72157650159999235%2F&amp;set_id=72157650159999235&amp;jump_to=\" \/><param name=\"movie\" value=\"https:\/\/www.flickr.com\/apps\/slideshow\/show.swf?v=1811922554\" \/><param name=\"allowFullScreen\" value=\"true\" \/><\/object><\/p>\n<blockquote>\n<h3><em>DE GEERHALLEN Norrk\u00f6ping<\/em><\/h3>\n<p>5 januari 2015<br \/>\n<em><strong>L\u00e4derlappen konsertversion<br \/>\n<\/strong>av Johann Strauss<\/em><br \/>\n<em> Norrk\u00f6pings Symfoniorkester<\/em><br \/>\n<em> Dirigent: Joakim Unander<strong><br \/>\n<\/strong>Programv\u00e4rd: Torbj\u00f6rn Lillieqvist<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>SOLISTER<\/em><br \/>\n<em> Liine Carlsson (sopran) Rosalinda<br \/>\nHanna Hus\u00e1hr (sopran) Ad\u00e8le<br \/>\nTorbj\u00f6rn Lillieqvist (tenor) Frosch och Dr Blind<br \/>\nJonas Degerfeldt (tenor) Eisenstein<br \/>\nDaniel Frank (tenor) Alfred<br \/>\nCarl Ackerfeldt (baryton) Falke<\/em><\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nL\u00e4derlappen <a title=\"Operaloggen\" href=\"http:\/\/www.operalogg.com\/laderlappen-kungliga-operan-synopsis\/\" target=\"_blank\">handling <\/a><br \/>\nLars Henriksson \u2013 Operalaven <a title=\"Operalaven\" href=\"http:\/\/www.operalaven.se\" target=\"_blank\">hemsida<\/a><br \/>\nNorrk\u00f6pings symfoniorkester <a title=\"SON\" href=\"http:\/\/www.norrkopingssymfoniorkester.se\" target=\"_blank\">hemsida<\/a> <a title=\"Facebook\" href=\"https:\/\/www.facebook.com\/norrkoping.symphony?fref=ts\" target=\"_blank\">Facebook<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NORRK\u00d6PING Handlingen \u00e4r hoppl\u00f6s men som musik \u00e4r \u201doperetternas drottning\u201d en enda l\u00e5ng l\u00e4ttsam champagnegalopp. Torbj\u00f6rn Lillieqvist var b\u00e5de rolig och bisarr denna komiska och vackra kv\u00e4ll. <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=18430\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[13],"class_list":["post-18430","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-musik"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/18430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18430"}],"version-history":[{"count":0,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/18430\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}