{"id":23062,"date":"2016-01-02T10:24:48","date_gmt":"2016-01-02T09:24:48","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=23062"},"modified":"2016-01-02T10:24:48","modified_gmt":"2016-01-02T09:24:48","slug":"grym-nyarsglamour-fran-berlin-till-lillan-recension","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=23062","title":{"rendered":"\u201dGrym\u201d ny\u00e5rsglamour fr\u00e5n Berlin till Lillan (recension)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-23064\" src=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/01\/Ann-Sofie-MutterVIT-567x378.jpg\" alt=\"Ann-Sofie Mutter\" width=\"567\" height=\"378\" srcset=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/01\/Ann-Sofie-MutterVIT-567x378.jpg 567w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/01\/Ann-Sofie-MutterVIT-500x333.jpg 500w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/01\/Ann-Sofie-MutterVIT-150x100.jpg 150w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/01\/Ann-Sofie-MutterVIT.jpg 600w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><br \/>\n<em>Str\u00e5lande. Ann-Sophie Mutter medverkade vid ny\u00e5rskonserten som direkts\u00e4ndes fr\u00e5n Berlin.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #ff0000;\">Sk\u00f6nheten i klangen \u00e4r n\u00e4rmast enast\u00e5ende<\/span><\/h1>\n<p>&nbsp;<\/p>\n<p><strong>Kanske \u00e4r Berliner Philharmoniker v\u00e4rldens b\u00e4sta orkester.<\/strong> Musik fr\u00e5n franska romantiken och impressionismen med Ann-Sophie Mutter som violinsolist pr\u00e4glade ny\u00e5rskonserten som s\u00e4ndes fr\u00e5n Berlin till Lilla teaterns r\u00f6da salong p\u00e5 ny\u00e5rsaftonen.<\/p>\n<p><strong>Ny\u00e5rskonserten fr\u00e5n Berlin har nu g\u00e5tt om sin mer ber\u00f6mda kusin fr\u00e5n Wien, snart f\u00e5r SVT b\u00f6rja s\u00e4nda den ist\u00e4llet.<\/strong> Eller \u00e4nnu hellre s\u00e4nda b\u00e5da tv\u00e5. Kanske \u00e4r Berliner Philharmoniker v\u00e4rldens b\u00e4sta orkester. Detta \u00e5r har de dessutom som g\u00e4st Anne-Sophie Mutter, som ger \u00e4nnu mer klass, n\u00e4rmast filmstj\u00e4rnestatus \u00e5t det hela.<\/p>\n<p><strong>Det toppas med en rolig introduktion, tyskarna \u00e4r inte k\u00e4nda f\u00f6r sin humor, men det h\u00e4r var riktigt kul.<\/strong> Man driver med det stora antalet nationaliteter i orkestern (t ex skottar, chilenare, serber, spanjorer), alla ska fira ny\u00e5r p\u00e5 sitt s\u00e4tt och det blir kaos till slut.<\/p>\n<p>Som vanligt \u00e4r Tyskland Sverige for vuxna, h\u00e4r hade nog ett s\u00e5dant inslag inte varit m\u00f6jligt att g\u00f6ra, n\u00e5gon grupp hade kunnat bli \u201dkr\u00e4nkt\u201d.<\/p>\n<p><strong>Den franska musiken som \u00e4r temat f\u00f6r i \u00e5r g\u00f6r Mutter kanske inte riktigt lika f\u00f6rkrossande bra som den tyska.<\/strong> Men sk\u00f6nheten i klangen \u00e4r n\u00e4rmast enast\u00e5ende och det \u00e4r alltid l\u00e4ckert med de virtuosa utsmyckningarna, liksom hennes publikkontakt mellan numren. Det \u00e4r ingen \u201dn\u00f6rdig\u201d virtuos det h\u00e4r, man t\u00e4nker snarare p\u00e5 Julia Roberts eller \u00e4ldre tiders glammiga \u201ddivor\u201d som Ava Gardner.<\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"Simon Rattle\" href=\"https:\/\/www.flickr.com\/photos\/kultursidan\/24013617282\/in\/album-72157662901124912\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm2.staticflickr.com\/1592\/24013617282_374913670f.jpg\" alt=\"Simon Rattle\" width=\"500\" height=\"165\" \/><\/a><br \/>\n<em>V\u00e4lljud. Sir Simon Rattle fick \u00e4ven med ett stycke av Brahms utanf\u00f6r det helfranska programmet. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dirigenten Sir Simon Rattle f\u00e5r mycket v\u00e4lljud ur orkestern.<\/strong> Den franska romantiken och impressionismen de spelar \u00e4r inte heller s\u00f6nderspelad, lite Brahms hinner de ocks\u00e5 med utanf\u00f6r programmet. <em>Tzigane<\/em> (\u201dzigenare\u201d), impressionistisk \u201dexotisk\u201d fantasi av Ravel med Anne-Sophie var nog kv\u00e4llens h\u00f6jdpunkt.<\/p>\n<p>Viss variation saknades d\u00e5 temat var helt och h\u00e5llet franskt men det finns knappast n\u00e5gon som kan matcha detta i v\u00e4rlden idag, det var som helhet fantastiskt jobbat av Berliner Philharmoniker.<\/p>\n<p>\u00a9 <em>Text: Lars Henriksson<br \/>\n<\/em>\u00a9 <em>Foto: Berliner Philharmoniker<\/em><\/p>\n<blockquote>\n<h3><em>LILLA TEATERN Norrk\u00f6ping<\/em><\/h3>\n<p>31 december 2015<br \/>\n<em> <strong>Ny\u00e5rskonsert<\/strong><br \/>\nBerliner Philharmoniker<\/em><br \/>\n<em> Dirigent: sir Simon Rattle<\/em><br \/>\n<em> Solist: Anne-Sophie Mutter, violin<\/em><br \/>\n<em> Direkts\u00e4nd via Folkets hus och parker<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>PROGRAM<\/em><br \/>\n<em> Emmanuel Chabrier: Overture to L\u2019\u00c9toile<\/em><br \/>\n<em> Camille Saint-Sa\u00ebns: Introduction et Rondo capriccioso f\u00f6r violin and orkester i a-moll<\/em><br \/>\n<em> Jules Massenet: orkesterstycken fr\u00e5n El Cid<br \/>\nMaurice Ravel: Tzigane <\/em><br \/>\n<em> Maurice Ravel: La Valse<\/em><\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nBerliner Philharmoniker <a href=\"http:\/\/www.berliner-philharmoniker.de\" target=\"_blank\">hemsida<\/a> <a href=\"http:\/\/www.operan.se\/sv\/Var-repertoar\/20152016\/Notknapparen\/\" target=\"_blank\"><br \/>\n<\/a>Live p\u00e5 Bio <a href=\"https:\/\/www.facebook.com\/livepabio\/?fref=ts\" target=\"_blank\">Facebook<\/a><br \/>\nLilla teatern <a href=\"http:\/\/www.lillateatern.se\/\" target=\"_blank\">hemsida<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NORRK\u00d6PING Kanske \u00e4r Berliner Philharmoniker v\u00e4rldens b\u00e4sta orkester. Musik fr\u00e5n franska romantiken och impressionismen med Ann-Sophie Mutter som violinsolist pr\u00e4glade ny\u00e5rskonserten som s\u00e4ndes fr\u00e5n Berlin till Lilla teaterns r\u00f6da salong p\u00e5 ny\u00e5rsaftonen. <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=23062\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[13],"class_list":["post-23062","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-musik"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/23062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23062"}],"version-history":[{"count":0,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/23062\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}