{"id":27744,"date":"2016-11-05T09:47:18","date_gmt":"2016-11-05T08:47:18","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=27744"},"modified":"2016-11-05T09:58:17","modified_gmt":"2016-11-05T08:58:17","slug":"sons-vanner-larde-om-tristan-ackordet","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=27744","title":{"rendered":"SON:s v\u00e4nner l\u00e4rde om Tristan-ackordet"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-27745\" src=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-567x372.jpg\" alt=\"Tristan-ackordet\" width=\"567\" height=\"372\" srcset=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-567x372.jpg 567w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-768x504.jpg 768w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-1024x672.jpg 1024w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-507x333.jpg 507w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632-150x98.jpg 150w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2016\/11\/IMG_2632.jpg 1280w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><br \/>\n<em>Bitterljuva toner. Det inramade ackordet \u2013 f,h,diss, giss \u2013 br\u00f6t nya v\u00e4gar f\u00f6r musiken. Bodil Asketorp, i f\u00f6rgrunden, f\u00f6rel\u00e4ste nyligen f\u00f6r SON-v\u00e4nnerna.<br \/>\n<\/em><\/p>\n<p>&nbsp;<\/p>\n<h2>Det f\u00f6rsta ackordet utan tonart<\/h2>\n<p>NORRK\u00d6PING <strong>Helt utan tonart.<\/strong> 150 \u00e5r har g\u00e5tt sedan Tristan-ackordet br\u00f6t v\u00e4g f\u00f6r den moderna musiken. SON-v\u00e4nnerna bj\u00f6d in till f\u00f6rel\u00e4sning om en musikhistorisk h\u00e4ndelse vars yttersta konsekvens \u00e4r Tolvtonsmusiken, \u201duppfunnen\u201d 1923.<\/p>\n<p>F\u00f6rel\u00e4sningen kom i god tid inf\u00f6r Cnemas visning av <em>Tristan och Isolde<\/em> med svenska sopranen Nina Stemme i titelrollen.<\/p>\n<p><strong>Bodil Asketorp fr\u00e5n radions P2 bj\u00f6d p\u00e5 intressant musikhistoria.<\/strong> Operan <em>Tristan och Isolde<\/em>, som hade premi\u00e4r 1865, hade ungef\u00e4r samma kulturella betydelse som Beatles genombrott cirka 100 \u00e5r senare. Tristan-ackordet, med <em>diss<\/em> och <em>giss<\/em> i diskanten, var det f\u00f6rsta ackordet utan tonart, n\u00e5got som vi \u00e4n i dag ser som sj\u00e4lvklart att musik \u201dska\u201d ha.<\/p>\n<p>Ackordet s\u00e4gs uttrycka en bitterljuv k\u00e4rlek. En h\u00f6gst m\u00e4nsklig k\u00e4rlekshistoria \u00e4r upprinnelsen till detta fam\u00f6sa accord och rentav hela <em>Tristan och Isolde<\/em>. Wagner r\u00e5kade bli k\u00e4r i frun till sin hyresv\u00e4rd (ungef\u00e4r).<\/p>\n<p>Efter paus bj\u00f6ds p\u00e5 m\u00e5nga stora \u00f6gonblick i den klassiska musiken fr\u00e5n f\u00f6rra sekelskiftet till \u00e5ren runt andra v\u00e4rldskriget.<\/p>\n<p>\u00a9 <em>Text och foto: Lars Henriksson<\/em><\/p>\n<blockquote>\n<h3><em>WADSTR\u00d6MSRUMMET, STADSBIBLIOTEKET Norrk\u00f6ping<\/em><\/h3>\n<p>17 oktober 2016<em><br \/>\n<strong>Tristan-ackordet<\/strong><\/em><br \/>\n<em> F\u00f6rel\u00e4sning med Bodil Asketorp<\/em><br \/>\n<em> Arr: SON-v\u00e4nnerna<\/em><\/p>\n<h4 style=\"padding-left: 30px;\">CNEMA Norrk\u00f6ping<\/h4>\n<p style=\"padding-left: 30px;\">5 november 2016 15.00<strong><br \/>\n<\/strong><em><strong>Tristan och Isolde <\/strong><br \/>\nFr\u00e5n Metropolitan i New York, USA.<br \/>\nDirigent: Sir Simon Rattle<br \/>\nRegi: Mariusz Trelinski<\/em><\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nSON-v\u00e4nnerna <a href=\"http:\/\/sonvannerna.org\" target=\"_blank\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/sonvannerna\/?fref=ts\" target=\"_blank\">Facebook<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>KORTKORT\/NORRK\u00d6PING Helt utan tonart. 150 \u00e5r har g\u00e5tt sedan Tristan-ackordet br\u00f6t v\u00e4g f\u00f6r den moderna musiken. SON-v\u00e4nnerna bj\u00f6d in till f\u00f6rel\u00e4sning om en musikhistorisk h\u00e4ndelse. <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=27744\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[53,13],"class_list":["post-27744","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-foredrag","tag-musik"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/27744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27744"}],"version-history":[{"count":0,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/27744\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}