{"id":32129,"date":"2017-08-19T17:38:56","date_gmt":"2017-08-19T16:38:56","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=32129"},"modified":"2017-08-19T17:43:35","modified_gmt":"2017-08-19T16:43:35","slug":"barock-poesi-och-musik-som-vi-vill-ha-det-recension","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=32129","title":{"rendered":"Barock poesi och musik Som vi vill ha det (recension)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-32130\" src=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-567x378.jpg\" alt=\"\" width=\"567\" height=\"378\" srcset=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-567x378.jpg 567w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-768x512.jpg 768w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-1024x682.jpg 1024w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-500x333.jpg 500w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609-150x100.jpg 150w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2017\/08\/DSCF9609.jpg 1280w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><br \/>\n<em>V\u00e4ll\u00e4st, ibland v\u00e4llustigt. Stina von Sydow valde bland Shakespeares sonetter i programmet Som vi vill ha det tillsammans med \u00d6stg\u00f6ta Brasskvintett.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #ff0000;\">Manligt, kvinnligt, k\u00e4rleksfullt<\/span><\/h1>\n<p>&nbsp;<\/p>\n<p>RECENSION\/NORRK\u00d6PING <strong>Shakespeare sonetter pekar fram\u00e5t mot barocken.<\/strong> S\u00e5 g\u00f6r \u00e4ven landsmannen Dowlands musik. Stina von Sydow var \u00d6stg\u00f6tateaterns bidrag till \u00d6sterg\u00f6tlands musikdagar. \u00d6stg\u00f6ta Brasskvintett mejslade ut st\u00e4mmorna subtilt p\u00e5 Konstmuseet.<\/p>\n<p><strong>Det finns 154 sonetter av William Shakespeare d\u00e4r de tre personerna<\/strong>, f\u00f6rfattaren, en man och en ung kvinna ofta utbyter analyser av k\u00e4rlekens v\u00e4sen. De kan ibland tyckas \u201dmoderna\u201d, m\u00f6jligen \u00e4r de mer \u201dbarocka\u201d \u00e4n typisk \u201dren\u00e4ssansaktiga\u201d. De pekar fram\u00e5t som s\u00e5 mycket hos barden fr\u00e5n Stratford.<\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"Som vi vill ha det\" href=\"https:\/\/www.flickr.com\/photos\/kultursidan\/36532816751\/in\/album-72157687811564525\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm5.staticflickr.com\/4412\/36532816751_4cf0b64812.jpg\" alt=\"Som vi vill ha det\" width=\"500\" height=\"270\" \/><\/a><br \/>\n<em>Gl\u00e4nsande st\u00e4mmor. \u00d6stg\u00f6ta Brasskvintett utg\u00f6rs av Jan-\u00c5ke Hermansson, Erik Rapp, Magnus Matthiessen, Therese Hammarberg och Mikael Wittw\u00e5ng.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>John Dowland, som ibland uppf\u00f6rts av moderna artister som Sting och den store pianisten Glenn Gould,<\/strong> \u00e4r ocks\u00e5 ganska \u201dbarock\u201d och bygger g\u00e4rna p\u00e5 vissa fasta figurer i basen. Basso continuo (\u201dgenomg\u00e5ende bas\u201d, det vill s\u00e4ga generalbas) var tidens tema liksom en f\u00f6rk\u00e4rlek f\u00f6r molltonarter (<em>Come heavy sleep, flow my tears<\/em>).<\/p>\n<p>\u00d6stg\u00f6ta Brasskvintett har en imponerande precision och mejslar ut st\u00e4mmorna subtilt, exempelvis trumpeten och trombonen har s\u00e4llan fasta roller vilket ger variation.<\/p>\n<p><strong>Just variationen \u00e4r lite f\u00f6r d\u00e5lig hos Dowland f\u00f6r att kunna fylla ett helt program.<\/strong> Men Stina von Sydow hade valt n\u00e5gra av de mer s\u00e4llan uppf\u00f6rda sonetterna och l\u00e4ser givetvis \u201dThe ages of man\u201d ur just pj\u00e4sen <em>As you like it\u201d;<\/em> den handlar givetvis om mannens \u00e5ldrar men flera av sonetterna ger ocks\u00e5 ett kvinnligt perspektiv.<\/p>\n<p>Det har varit en del tal om fr\u00e5nvaro av kvinnor p\u00e5 \u00e5rets \u201dverklista\u201d, men man gl\u00f6mmer att n\u00e5gra av de st\u00f6rsta manliga konstn\u00e4rerna som Shakespeare, Mozart och Richard Strauss hade goda insikter i kvinnors k\u00e4nslor och tankev\u00e4rld, vilket vi redan f\u00e5tt uppleva under festivalen.<\/p>\n<p><em>\u00a9 Text: Lars Henriksson\u2028<\/em><br \/>\n<em>\u00a9 Foto: Ann-Charlotte Sandelin<\/em><\/p>\n<blockquote>\n<h3><em>KONSTMUSEET Norrk\u00f6ping<\/em><\/h3>\n<p>18 augusti 2017<em><br \/>\n<strong>\u2028Som vi vill ha det\u2028<\/strong><br \/>\nSoppkonsert<br \/>\nTexter av William Shakespeare<br \/>\nMusik av Dowland m.fl.<br \/>\nStina von Sydow<br \/>\n\u00d6stg\u00f6ta Brasskvintett<\/em><br \/>\n<em>Arr: \u00d6sterg\u00f6tlands musikdagar och \u00d6stg\u00f6tamusiken<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>\u00c4ven 17\/8 i Vadstena klosterkyrka<\/em><\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nNorrk\u00f6pings Konstmuseum <a href=\"http:\/\/www.norrkopingskonstmuseum.se\/\" target=\"_blank\" rel=\"noopener noreferrer\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/norrkopingskonstmuseum\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a><br \/>\n\u00d6stg\u00f6tamusiken <a href=\"http:\/\/www.ostgotamusiken.se\" target=\"_blank\" rel=\"noopener\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/%C3%96stg%C3%B6tamusiken-119589751389546\/?fref=ts\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><br \/>\n\u00d6stg\u00f6tateatern <a href=\"http:\/\/www.ostgotateatern.se\" target=\"_blank\" rel=\"noopener\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/ostgotateatern\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><br \/>\n\u00d6sterg\u00f6tlands Musikdagar <a href=\"http:\/\/www.musikdagar.com\" target=\"_blank\" rel=\"noopener\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/%C3%96sterg%C3%B6tlands-Musikdagar-1619689628341800\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> <a href=\"https:\/\/www.facebook.com\/events\/1577489778962520\" target=\"_blank\" rel=\"noopener\">FB-evenemang<\/a><br \/>\nSaxofonkvartetten spelade Jan Allard <a href=\"https:\/\/www.kultursidan.nu\/?p=32110\" target=\"_blank\" rel=\"noopener\">recension<\/a> Kultursidan.nu 17\/8 2017<br \/>\nGeorg Riedels musik fr\u00e4lste p\u00e5 Crescendo <a href=\"https:\/\/www.kultursidan.nu\/?p=32090\" target=\"_blank\" rel=\"noopener\">recension<\/a> Kultursidan.nu 16\/8 2017<br \/>\nLekfull bl\u00e5ssaga med Musikpl\u00e5stret <a href=\"https:\/\/www.kultursidan.nu\/?p=32077\" target=\"_blank\" rel=\"noopener\">recension<\/a> Kultursidan.nu 15\/8 2017<br \/>\nBed\u00e5rande inledning p\u00e5 Musikdagarna <a href=\"https:\/\/www.kultursidan.nu\/?p=32048\" target=\"_blank\" rel=\"noopener\">recension<\/a> Kultursidan.nu 13\/8 2017<br \/>\n\u00d6sterg\u00f6tlands Musikdagar tar sig ton <a href=\"https:\/\/www.kultursidan.nu\/?p=31982\" target=\"_blank\" rel=\"noopener\">reportage<\/a> Kultursidan.nu 6\/8 201<em>7<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NORRK\u00d6PING Shakespeare sonetter pekar fram\u00e5t mot barocken. S\u00e5 g\u00f6r \u00e4ven landsmannen Dowlands musik. Stina von Sydow var \u00d6stg\u00f6tateaterns bidrag till \u00d6sterg\u00f6tlands musikdagar. \u00d6stg\u00f6ta Brasskvintett mejslade ut st\u00e4mmorna subtilt.  <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=32129\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[13,51,12],"class_list":["post-32129","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-musik","tag-poesi","tag-teater"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/32129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32129"}],"version-history":[{"count":4,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/32129\/revisions"}],"predecessor-version":[{"id":32134,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/32129\/revisions\/32134"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}