{"id":34603,"date":"2018-02-05T16:17:31","date_gmt":"2018-02-05T15:17:31","guid":{"rendered":"https:\/\/intelligent-friend-7861.standoutwp.com\/?p=34603"},"modified":"2018-02-05T16:17:31","modified_gmt":"2018-02-05T15:17:31","slug":"svarsjungen-men-rolig-askungen-opera","status":"publish","type":"post","link":"https:\/\/www.kultursidan.nu\/?p=34603","title":{"rendered":"Sv\u00e5rsjungen men rolig Askungen-opera"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-34604\" src=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-567x378.jpg\" alt=\"\" width=\"567\" height=\"378\" srcset=\"https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-567x378.jpg 567w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-768x512.jpg 768w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-1024x682.jpg 1024w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-150x100.jpg 150w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203-500x333.jpg 500w, https:\/\/www.kultursidan.nu\/wp-content\/uploads\/2018\/02\/ASKUNGEN_20171125_SV0203.jpg 1280w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><br \/>\n<em>Kn\u00e4h\u00f6jd. Det \u00e4r inte skorna som provas i Rossinis Askungen utan ett armband. K\u00e4rleken segrar \u00e4nd\u00e5 till sist.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #ff0000;\">On\u00f6digt kl\u00e4 ut basar till kokerskor<\/span><\/h1>\n<p>&nbsp;<\/p>\n<p>RECENSION\/ NORRK\u00d6PING <strong>Samh\u00e4llets styvbarn.<\/strong> <em>Askungen<\/em> i Rossinis version skurar golven som vanligt men det \u00e4r styvpappan Don Magnifico och inte en kvinna som \u00e4r \u201dskurken\u201d. F\u00f6rest\u00e4llningen lives\u00e4ndes fr\u00e5n Kungliga Operan till biografer i \u00d6sterg\u00f6tland och Sverige i l\u00f6rdags.<\/p>\n<p><strong>\u201dEller godheten segrar\u201d \u00e4r undertiteln, det h\u00e4r \u00e4r faktiskt en sn\u00e4llare variant \u00e4n Disneys, <\/strong>men det mesta \u00e4r hoppl\u00f6st sv\u00e5rsjunget s\u00e5 n\u00e5got of\u00f6rargligt verk \u00e4r det inte. Det verkade som om det var n\u00e5gon dold samh\u00e4llskritik i det faktum att solisterna sj\u00f6ng <em><strong>s\u00e4mre<\/strong><\/em> ju h\u00f6gre samh\u00e4llsklass de hade. <em>Askungen-Angelina, <\/em>sjungen av Johanna Rudstr\u00f6m, var klart b\u00e4st och Prins Ramiro, Ole Aleksander Bang, var klart s\u00e4mst \u00e4ven om b\u00e5da var portr\u00e4ttlika.<\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"Askungens styvsystrar Clorinda: Marianne Hellgren Staykov och Tisbe: Karin Osbeck\" href=\"https:\/\/www.flickr.com\/photos\/kultursidan\/40099693611\/in\/album-72157669246075269\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm5.staticflickr.com\/4628\/40099693611_b7a60ff803.jpg\" alt=\"Askungens styvsystrar Clorinda: Marianne Hellgren Staykov och Tisbe: Karin Osbeck\" width=\"331\" height=\"500\" \/><\/a><br \/>\n<em>\u00d6verd\u00e5d. Askungens styvsystrar Clorinda (Marianne Hellgren Staykov) och Tisbe (Karin Osbeck) g\u00f6r sig redo f\u00f6r balen.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Det kan vara sv\u00e5rt att begripa varf\u00f6r handlingen f\u00f6rlagts till England f\u00f6r drygt hundra \u00e5r sedan<\/strong> (Angelina \u2013 \u201dlilla \u00e4ngeln\u201d \u2013 \u00e4r givetvis ett italienskt namn, liksom Ramiro och Magnifico).<\/p>\n<p>Det skulle kunna vara till 20-\u00e5rsminnet av Lady Di\u2019s bortg\u00e5ng 1997 (operan hade premi\u00e4r p\u00e5 Kungliga Operan i november 2017). Men upps\u00e4ttningen, signerad Lindy Hume och med Dan Potra som scenograf och kostymskapare, hade ursprungligen premi\u00e4r p\u00e5 Opera Queensland i Brisbane, Australien redan 2013. Det \u00e4r s\u00e5 h\u00e4r det kan g\u00e5 till i operav\u00e4rlden numera.<\/p>\n<p><strong>Som l\u00e4ttsam k\u00e4rlekskomedi med \u201dhalvseri\u00f6sa\u201d inslag <\/strong>(operan \u00e4r <strong><em>inte<\/em> <\/strong>en komisk \u201dbuffa\u201d, som ofta n\u00e4mnts, utan en \u201dsemiseria\u201d, \u2019halvallvarlig\u2019) \u00e4r det h\u00e4r bra underh\u00e5llning och kostymerna och scenografin \u00e4r trevliga om \u00e4n lite \u00f6verdrivna.<\/p>\n<p>\u201dSkurken\u201d Don Magnifico, John Erik Eleby, \u00e4r h\u00e4r bara en pajas. Ibland framst\u00e4lls han som en farlig Harvey Weinstein-figur, vilket f\u00f6rst\u00e5s skulle ha f\u00f6rst\u00f6rt st\u00e4mningen.<\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"Askungen av Gioachino Rossini \u2013 K\u00f6rens herrar framf\u00f6r Don Magnificos hus\" href=\"https:\/\/www.flickr.com\/photos\/kultursidan\/40099693321\/in\/album-72157669246075269\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/farm5.staticflickr.com\/4603\/40099693321_41c0dd8f74.jpg\" alt=\"Askungen av Gioachino Rossini \u2013 K\u00f6rens herrar framf\u00f6r Don Magnificos hus\" width=\"500\" height=\"333\" \/><\/a><br \/>\n<em> Imperium p\u00e5 fallrepet. Delar av operak\u00f6ren framf\u00f6r Don Magnificos hus.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>K\u00f6ren (med Olof Lilja) och orkestern under Burstedts habila ledning kom med m\u00e5nga roliga och vackra \u00f6gonblick,<\/strong> \u00e4ven om man kunde ha skippat att kl\u00e4 ut basarna till kokerskor och \u201dnannies\u201d (eller vad de nu skulle f\u00f6rest\u00e4lla).<\/p>\n<p>Vi f\u00e5r se vad Kungliga Operan kan \u00e5stadkomma med den mer allvarliga <em>Aida<\/em> i mars.<\/p>\n<p><em>\u00a9 Text: Lars Henriksson<br \/>\n\u00a9 Foto: S\u00f6ren Vilks\/Kungliga Operan<\/em><\/p>\n<blockquote>\n<h4>LILLA TEATERN, MATTEUSG\u00c5RDEN Norrk\u00f6ping<\/h4>\n<p>3 februari 2018<br \/>\n<strong>Askungen (La Cenerentola)<\/strong><br \/>\nOpera<br \/>\nMusik: Gioacchino Rossini<br \/>\nLibretto: Jacopo Ferretti efter Charles Perrault<br \/>\nDirigent: Fredrik Burstedt<br \/>\nRegi: Lindy Hume<br \/>\nScenografi &amp; kostym: Dan Potra<br \/>\nLives\u00e4nd fr\u00e5n Kungliga Operan via Folkets hus och parker<\/p>\n<p style=\"padding-left: 30px;\">MEDVERKANDE<br \/>\nAngelina: Johanna Rudstr\u00f6m<br \/>\nDon Ramiro: Ole Aleksander Bang<br \/>\nDandini: Jens Persson<br \/>\nDon Magnifico: John Erik Eleby<br \/>\nClorinda: Marianne Hellgren Staykov<br \/>\nTisbe: Karin Osbeck<br \/>\nAlidoro: Markus Schwartz<br \/>\nSamt Kungliga Operans k\u00f6r och orkester<\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<blockquote>\n<h4>OPERA P\u00c5 BIO<\/h4>\n<p><em>Vinter-v\u00e5r 2018<\/em><br \/>\nCnema, Lilla teatern, Folkets Bio i Gusum<\/p>\n<p style=\"padding-left: 30px;\">27 januari<br \/>\n<strong>Tosca<\/strong> \u2013 Metropolitan Opera<\/p>\n<p>3 februari<br \/>\n<strong>Askungen<\/strong> \u2013 Kungliga operan<\/p>\n<p style=\"padding-left: 30px;\">10 februari<br \/>\n<strong>K\u00e4rleksdrycken<\/strong> \u2013 Metropolitan Opera<\/p>\n<p style=\"padding-left: 30px;\">24 februari<br \/>\n<strong>La Boh\u00e8me<\/strong> \u2013 Metropolitan Opera<\/p>\n<p style=\"padding-left: 30px;\">10 mars<br \/>\n<strong>Semiramis<\/strong> \u2013 Metropolitan Opera<\/p>\n<p style=\"padding-left: 30px;\">17 mars<br \/>\n<strong>Aida<\/strong> \u2013 Kungliga operan<\/p>\n<p style=\"padding-left: 30px;\">31 mars<br \/>\n<strong>Cos\u00ec fan tutte<\/strong> \u2013 Metropolitan Opera<\/p>\n<p style=\"padding-left: 30px;\">14 april<br \/>\n<strong>Luisa Miller<\/strong> \u2013 Metropolitan Opera<\/p>\n<p style=\"padding-left: 30px;\">28 april<br \/>\n<strong>Askungen<\/strong> \u2013 Metropolitan Opera<\/p>\n<\/blockquote>\n<p>L\u00c4NKAR<br \/>\nGioacchino Rossini <a href=\"https:\/\/sv.wikipedia.org\/wiki\/Gioacchino_Rossini\" target=\"_blank\" rel=\"noopener\">Wikipedia<\/a><br \/>\nFolkets hus och parker <a href=\"http:\/\/www.fhp.nu\/Hem\/\" target=\"_blank\" rel=\"noopener\">hemsida<\/a> <a href=\"https:\/\/www.facebook.com\/livepabio\/\" target=\"_blank\" rel=\"noopener\">Live p\u00e5 bio\/Facebook<\/a><br \/>\nKungliga Operan <a href=\"https:\/\/www.operan.se\/\" target=\"_blank\" rel=\"noopener\">hemsida<\/a> <a href=\"https:\/\/www.operan.se\/repertoarsida\/askungen\" target=\"_blank\" rel=\"noopener\">Askungen<\/a><br \/>\nLilla Teatern <a href=\"http:\/\/www.lillateatern.se\" target=\"_blank\" rel=\"noopener\">hemsida<\/a><br \/>\nLars Henriksson \u2013 Operalaven <a href=\"http:\/\/www.operalaven.se\/\" target=\"_blank\" rel=\"noopener\">hemsida <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RECENSION\/ NORRK\u00d6PING Samh\u00e4llets styvbarn. Askungen i Rossinis version skurar golven som vanligt men det \u00e4r styvpappan Don Magnifico som \u00e4r \u201dskurken\u201d. F\u00f6rest\u00e4llningen lives\u00e4ndes fr\u00e5n Kungliga Operan till biografer i \u00d6sterg\u00f6tland och Sverige i l\u00f6rdags.  <a class=\"continue-reading-link\" href=\"https:\/\/www.kultursidan.nu\/?p=34603\">L\u00e4s mer <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1001006,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[11,12],"class_list":["post-34603","post","type-post","status-publish","format-standard","hentry","category-norrkoping","tag-opera","tag-teater"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/34603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/users\/1001006"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34603"}],"version-history":[{"count":5,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/34603\/revisions"}],"predecessor-version":[{"id":34609,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=\/wp\/v2\/posts\/34603\/revisions\/34609"}],"wp:attachment":[{"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kultursidan.nu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}